In Star Trek‘s “The Cage,” Captain Pike’s USS Enterprise is diverted to the planet Talos IV. Pike is soon taken prisoner as the planet’s natives, the Talosians, hold him in their alien menagerie. A race with the ability to cast powerful illusions, the Talosians intend to mate Pike with his prospective love interest Vina, the sole survivor of a human ship that crashed on Talos IV years earlier. However, the Starship Enterprise’s crew fight to free Pike, and the Talosians ultimately agree to release them while Vina remains on the planet.
Star Trek’s “The Cage” Brilliantly Showcased The Enterprise’s Strange New Worlds Mission
Roddenberry followed the adage ‘Show, don’t tell’
“The Cage” did not begin with Star Trek‘s mission statement narration that the Starship Enterprise is on a five-year journey to “explore strange new worlds, seek out new life and new civilizations, and boldly go where no man has gone before.” However, Gene Roddenberry designed “The Cage” to showcase that very mission statement. Although Captain Pike’s Enterprise only visits Talos IV in the episode, Roddenberry ingeniously used the Talosians’ power to create illusions to depict other strange worlds and environments to convey what Star Trek would be about.
When the Starship Enterprise’s landing party explores Talos IV, they encounter a suitably alien landscape, along with intriguing singing flowers. Although Captain Pike is held prisoner in an underground menagerie, the Talosians use their powers to cast illusions taking Captain Pike to the medieval world of Rigel VII, his own futuristic Earth hometown of Mojave, California, and a bizarre alien outpost filled with extraterrestrials, including Vina dancing as an Orion slave girl. Efficiently, Gene Roddenberry uses “The Cage” to provocatively illustrate how Star Trek would take audiences to amazing new planets every week.
Why NBC Rejected “The Cage” But Still Wanted Star Trek
Star Trek obviously had potential
NBC infamously rejected “The Cage,” reportedly declaring Star Trek’s pilot “too cerebral” after Gene Roddenberry pitched his sci-fi series as “Wagon Train to the stars” filled with action and adventure. Indeed, “The Cage” is a more thoughtful science fiction tome, although Roddenberry did pepper his first Star Trek episode with a couple of fight scenes for Captain Pike. But Jeffrey Hunter portrayed Pike as somber and introverted, instead of the dynamic leading man NBC expected Star Trek to center around.
Jeffrey Hunter’s wife felt he was a movie star and encouraged him to exit Star Trek for a film career.
Still, NBC saw the potential in Star Trek and, in an unusual move, requested a second pilot from Gene Roddenberry. However, the network demanded Star Trek be recast from top to bottom, and they especially wanted the alien Mr. Spock and the female First Officer, Number One, cut from the show. Roddenberry opted to save Spock and infuse Number One’s cool logical traits into the Vulcan. However, perhaps the key that launched Star Trek was replacing Jeffrey Hunter’s Captain Pike with the dynamic William Shatner as Captain James T. Kirk.
“The Cage” Did A Better Job Revealing Star Trek’s Premise Than TOS’ Other Premiere Episodes
Star Trek’s original pilot had more strange new worlds
Star Trek: The Original Series, ironically, has two episodes that count as series premieres after the rejected pilot, “The Cage.” NBC premiered Star Trek on September 8, 1966, with “The Man Trap,” where the Starship Enterprise faced a monster called a salt vampire. However, while “The Man Trap” was the first Star Trek episode to air, it wasn’t supposed to be the series premiere. Star Trek’s second pilot is called “Where No Man Has Gone Before,” and it was the third episode broadcast on NBC. “The Man Trap” ended up premiering first because its production was completed faster than Star Trek’s second pilot.
Star Trek‘s “The Cage” only visits Talos IV, just as “The Man Trap” depicts the planet M-113, and “Where No Man Has Gone Before” took the Starship Enterprise into the Galactic Barrier before Captain Kirk battled his friend, Lt. Gary Mitchell (Gary Lockwood), on Delta Vega. But thanks to the Talosians’ illusions, “The Cage” showed more Star Trek worlds in its single episode than “The Man Trap” and “Where No Man Has Gone Before.” Gene Roddenberry’s vision and ambition were on full display in Star Trek‘s original pilot, which accurately promised the Starship Enterprise’s voyages to come.
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