On a bright spring evening in one of London’s most picturesque parks, a casual moment of filming escalated into a deadly confrontation. At around 6:40pm on Tuesday, April 7, 2026, 21-year-old Finbar Sullivan was at the viewpoint on Primrose Hill testing a new camera he had received for his birthday. What began as an innocent creative outing ended with him being stabbed multiple times in what police described as a fight at the popular north London spot. Despite the efforts of paramedics, Finbar was pronounced dead at the scene. A second man in his 20s suffered non-life-threatening stab wounds nearby on Regent’s Park Road.

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Police and emergency services at the scene on Primrose Hill after the fatal stabbing on April 7, 2026. The viewpoint, usually filled with people enjoying panoramic city views, became the site of sudden violence.
Witness accounts and circulating footage suggest the incident stemmed from a heated argument. Reports indicate someone confronted Finbar with words to the effect of “Why are you filming me, you little prick?” — a challenge reportedly triggered by his use of the new camera in a public space. The exchange quickly turned physical, escalating into a violent clash involving multiple people. A video of the preceding fight, which went viral online and was viewed hundreds of thousands of times, captured youths running at each other with what appeared to be knives while bystanders watched.
Finbar Sullivan, known professionally as “Sully Shot It,” was a talented filmmaking student at the London Screen Academy. He came from a creative family: his grandfather is the acclaimed cinematographer Michael Seresin (who worked on films including Harry Potter and the Prisoner of Azkaban), and his father, Christopher Sullivan, is a musician. Friends and family described Finbar as a kind, outgoing, and passionate young man who loved capturing life through his lens. He frequently produced music videos, particularly in the UK drill and rap scene, but his family insisted he was not involved in any gang activity — he was simply doing what he loved.

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Finbar Sullivan, 21, remembered as a bright, creative aspiring filmmaker and videographer. His father paid tribute, saying he was simply testing a new birthday camera when the tragedy unfolded.
Christopher Sullivan later spoke movingly of his son: “He’d just bought a new camera… and he took it up there to do a bit of filming.” He described Finbar as “a beautiful, lovely, outgoing, loving boy” who could “never be replaced.” A friend reportedly heard harrowing screams during a phone call just before the attack. The family’s grief has been compounded by the public nature of the loss in a place meant for relaxation and inspiration.
The Suspect in Court: “I didn’t kill anybody… Police got the wrong person”
27-year-old Oliuwadamilola Ogunyankinnu (also referred to as Oluwadamilola Ogunyankinnu), from Enfield in north London, was charged with Finbar’s murder. He appeared at Stratford Magistrates’ Court on April 13, 2026. In a dramatic moment in the dock, he raised his hands and told the court: “I didn’t kill anybody. I didn’t stab anybody. Police got the wrong person.” He confirmed his personal details but was remanded in custody. He is due to appear at the Old Bailey on April 15.

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Court sketches and images of Oliuwadamilola Ogunyankinnu, 27, the man charged with the murder of Finbar Sullivan. He has pleaded that police have the wrong person.
A second man, 18-year-old Khalid Abdulqadir of Camden, has also been charged in connection with the incident, facing offences including grievous bodily harm with intent, violent disorder, and possession of a knife.
Urgent Police Appeal: The Girl Who Filmed the Fight
Metropolitan Police detectives have made an urgent public appeal for a key witness: a young woman or teenager captured on footage recording the fight that preceded the stabbing. She is described as wearing a pink vest, blue denim shorts, and black trainers. Her video is considered “vital evidence” that could help piece together the exact sequence of events.

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Met detectives are appealing for a key witness to come forward following the murder of Finbar Sullivan in Primrose Hill. The young woman or teenager was captured on film recording a fight
Police appeal image and description of the young woman or teenager sought as a key witness. She was filming the fight shortly before the fatal stabbing and is urged to come forward.
Detective Inspector Andy Griffin, who is leading the investigation, said: “I believe this woman’s account of events, as well as the video she captured, will provide vital evidence. To reiterate, she has not committed any offence but we are urging her, or anyone who may know her, to come forward and assist our investigation.”
The woman is not suspected of any wrongdoing and is being treated solely as a significant witness. Anyone with information about her identity or the incident can contact police via the major incident portal, by calling 101 (quoting reference CAD 6448/07Apr), or anonymously through Crimestoppers on 0800 555 111.
A Beautiful Spot Shattered by Violence
Primrose Hill is famous for its sweeping views of the London skyline — from the Shard and the City skyscrapers to the London Eye and beyond. On a sunny April evening, it is typically filled with picnickers, dog walkers, tourists, and locals enjoying the sunset. The fact that such a public, seemingly safe space became the scene of a fatal stabbing in broad daylight has shocked many residents and highlighted ongoing concerns about knife crime in the capital, even in affluent or scenic areas.

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The iconic panoramic views from Primrose Hill — a place for relaxation and photography that became the site of tragedy.
The case has also drawn attention to the risks faced by those working in or around the UK drill music scene, where Finbar produced videos. While his family maintains he was not gang-affiliated, several similar incidents involving filmmakers in that subculture have raised questions about the intersection of art, public filming, and street tensions.
As the legal process moves forward at the Old Bailey, Finbar’s family continues to mourn a young man whose life was full of promise. His father’s words capture the senselessness: a simple act of testing a new camera in a beautiful park ended in unimaginable loss.
This tragedy leaves many questions unanswered: What exactly sparked the argument over filming? How did a verbal confrontation escalate so quickly to lethal violence? And what role will the missing witness footage play in revealing the full truth?
For now, police continue their investigation, and a community grapples with yet another young life cut short on the streets of London.
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