In a significant forensic breakthrough reported by Metropolitan Police investigators, a third distinct shoe print has been identified at the exact area on Primrose Hill where 21-year-old aspiring filmmaker Finbar Sullivan collapsed after being fatally stabbed. The print, found close to the spot where Sullivan fell during the sudden confrontation on 7 April 2026, has raised fresh questions about the number of individuals directly involved in the violence and appears inconsistent with the testimony and positioning described by the main murder suspect, Oluwadamilola Ogunyankinnu.

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The discovery comes as the case continues to evolve rapidly, with police emphasising that the attack unfolded in “a matter of moments” amid a larger group altercation on the popular north London viewpoint. Sources close to the investigation have indicated that the additional footprint — located in a position suggesting someone was standing very close to Sullivan or the immediate scuffle — has prompted a re-evaluation of witness statements, digital evidence, and the roles played by those present. This development has reportedly “completely changed” aspects of how detectives are approaching the sequence of events.

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The Final Moments: A Half-Finished Recording and a Third Presence

Finbar Sullivan, a gentle and creative 21-year-old student at the London Screen Academy, had gone to Primrose Hill — a spot he frequently visited from his family home in nearby Maida Vale — simply to test his new birthday camera and film the breathtaking skyline. He was not involved in any gang activity or disputes, according to his devastated family and friends. A half-finished video recording was still open on his device when emergency services arrived, capturing part of the peaceful view before chaos erupted around 6:41pm.

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A friend who was on the phone with Sullivan moments before described the chilling transition: casual conversation about grabbing drinks on a Lime bike, followed by sudden silence, then screams and heavy breathing before the line went dead. Paramedics performed approximately 20 minutes of CPR, but Sullivan could not be saved. A second man in his 20s was also stabbed nearby on Regent’s Park Road and suffered non-life-threatening injuries.

Witnesses and circulating videos described a rapid brawl involving several young men in broad daylight, in front of shocked picnickers and tourists. The new shoe print, analysed as part of the forensic sweep near the grass edge where Sullivan fell, indicates an additional person was in extremely close proximity during the critical seconds of the stabbing. Police have not confirmed whether this print belongs to an unidentified suspect, a witness who has not come forward, or someone whose involvement was previously underestimated.

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Suspect’s Account and Court Proceedings

Oluwadamilola Ogunyankinnu, 27, of Southbury Road in Enfield, north London, was charged with Sullivan’s murder. He appeared at Stratford Magistrates’ Court on 13 April 2026, where he emotionally told the judge: “I didn’t kill anybody. I didn’t stab anybody. Police got the wrong person.” He was remanded in custody and is due to appear at the Old Bailey.

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A second suspect, 18-year-old Khalid Abdulqadir of Fellows Road in Camden, has been charged with grievous bodily harm with intent, violent disorder, and possession of a knife. He too was remanded in custody following a hearing at Wimbledon Magistrates’ Court, with a further appearance scheduled at Inner London Crown Court.

Detectives continue to appeal for a young woman or teenager seen filming the incident; she was wearing a pink vest, blue denim shorts, and black trainers. Her footage is described as vital. The emergence of the third shoe print has added urgency to tracing all individuals present, as it potentially points to someone whose movements do not align with the accounts provided so far by the charged suspects.

Family’s Heartbreak: “He Just Went to Film the View”

Finbar’s father, Christopher Sullivan — a 65-year-old artist, writer, and founder of the 1980s band Blue Rondo à la Turk — has spoken of his unimaginable loss. “He was a beautiful, lovely, outgoing, loving boy… he can never be replaced,” he said. Christopher described his son as someone who didn’t drink, smoke, or go out much; instead, he stayed home editing films and was excited to resume his creative work after recovering from an eye impairment. Under the alias “Sully Shot It,” Finbar had started producing music videos for British artists.

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His mother, Leah Seresin, has family ties to the film industry through her father, acclaimed New Zealand cinematographer Michael Seresin (known for films including Harry Potter and the Prisoner of Azkaban). Finbar dreamed of following that path. A family friend noted that he “literally just went to the park to enjoy this beautiful day.”

The London Screen Academy, where Finbar studied in a collaborative environment of lights, sets, and aspiring storytellers, has expressed profound sadness at the loss of a promising talent.

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Primrose Hill: A Beauty Spot Shrouded in Grief

Primrose Hill offers some of London’s most iconic panoramic views — the Shard, London Eye, BT Tower, and beyond — and is usually a place for relaxation, dog walking, and photography. The 7 April incident has shattered that sense of safety, echoing a previous high-profile stabbing there on New Year’s Eve 2023. Flowers and tributes now mark the viewpoint, while police have increased patrols for public reassurance.

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The third shoe print discovery has reignited broader discussions about knife crime in public spaces and the challenges of piecing together fast-moving group confrontations using forensics, phone footage, and witness testimony.

Ongoing Investigation and Appeal for Information

Metropolitan Police detectives stress that the case remains active and that forensic work, including analysis of the additional shoe print, is continuing. They urge anyone with information, private videos, or dashcam footage from the area between approximately 6:30pm and 7:00pm on 7 April to contact them via 101, quoting the relevant reference, or anonymously through Crimestoppers.

For Finbar’s loved ones, every new detail brings both the hope of justice and a painful reminder of how quickly an innocent creative outing turned fatal. Christopher Sullivan has vowed to dedicate the rest of his life to honouring his son’s memory and gentle spirit.

The tripod reportedly left standing where Finbar was last filming, combined with the half-finished recording and now the unexplained third shoe print, serve as silent witnesses to a tragedy that should never have happened on a sunny spring evening in one of London’s cherished parks. 💔

As the Old Bailey hearing approaches and forensic experts examine the new evidence, the question remains: who was the additional person standing so close when Finbar Sullivan fell?